repress!
when bollywood meets italo. mysterious dance floor destroyer that put some parties on fire last months through the sets of job jobse, palms trax and skatebard...to name a few!

incl remix by patrice baeumel

second part of soul jazz records’ cold wave compilation. a showcase of current electronic artists, influenced by 70s and 80s cold wave. limited pressing on purple double vinyl.

second part of soul jazz records’ cold wave compilation. a showcase of current electronic artists, influenced by 70s and 80s cold wave. regular pressing on black double vinyl.

double vinyl in gatefold sleeve,

kaos heartcore essentials from midnight menace, jks, djdj and p.e.a.r.l.

dubbed-out dynamics and unrelenting electronics from autumn.

1978 library music album from frank mcdonald and chris rae aka patchwork.

hi nrg 4am experimental gabber! if youre were into the ork musik cds then this will certianly do the job.

limited to 300 copies on double vinyl.

the new rotterhague comes as usual with wicked and loud electro bangers.

white vinyl repress

new and unique style

psychedelic acid from the suction extended family in estonia, for fans of andreas gehm, early keys of life...belters

the city of prague philharmonic orchestra plays music from various james bond movies.

reissue of the 2014 lp from mr bop, aka dj damage of jazz liberatorz.

the original motion picture soundtrack from “john wick: chapter 2” on double vinyl, housed in a gatefold sleeve.

the offspring’s 1998 album back on vinyl, housed in a gatefold sleeve.

part of the tony award winning cast of hedwig & the angry inch, matt duncan s album that was never intended to be on vinyl arrives - due to demand! after almost two million streams on spotify alone. this is an album that started out as an songwriting exercise one fully written and produced song each week. includes the r&b cover of foo fighters everlong. that has been one of matt s biggest hits.

the original motion picture score from “men in black: international” on vinyl lp.

180 g vinyl incl. gil barte, comrade organa, circling vultures, raum-zeit and more

mark did a good job, on the vinyl you find unreleased tracks and also tracks from a mosaic releases from 1998. sounds sooo fresh

different fountains return with their 2nd full length album after their debut lp ‘shrimp that sleeps’ released in 2014 in collaboration with meakusma. the 10 tracks on ‘transparent flag’ are a diverse collection of music traversing genres and moods with great ease. after a captivating string of 12” releases on their ‘organism’ series, transparent flag takes off where shrimp that sleeps left us 5 years ago.

naeth makes his debut on new irish label move slow records following an ep release on memphis label future everything in 2017. the dublin-based producer wears his 90s and early 2000s influences on his sleeve and has delivered something truly special with this two-track house ep that journeys into breaks. produced in the middle of a rare irish heatwave, the title track poolhall lovers brims with the optimism of school day summers, while the b-side its my job veers into the more sombre side of this promising young producers talents. the release is accompanied by artwork and a series of animations by mason london (former boiler room art director).

limited 20th anniversary edition on red vinyl, housed in a lenticular gatefold cover with sticker sheet included.

bawrut presents their new ep on pets recordings

limited 2019 repress! tight modern house tracks with that nordic feel from dorisburg as first release on bossmusik! dorisburg, also known as one half of swedens house masters genius of time did a great job. the a side smuts is a rolling, dreamy house track with attitude, while studs on the b side is a bare and bouncing drum jam. reminds a bit of an old chicago drum trax release with drum machines going wild, done in a contemporary version by dorisburg. hot!

hans zimmer’s original motion picture soundtrack from “widows (les veuves)”.

with brighton being the spiritual birthplace of the london based anti skate label, it only felt right for them to finally have a proper release from a local talent. tech support’s output has seen releases on the likes of homage & astropical tapes, as well as a busy year of djing up and down the country. “excursion” is the dreamy playful opener that everyone needs to be prescribed in the morning, and not surprisingly, jesse bru has done an amazing job at turning it over its head quite intricately with a bit of detroit flavourings to go with it. the b-side is nothing short of special with the exciting piano keys and vocals on “praise” making it a boat party must-have. last but not least, the namesake “friends” is the butterfly-inducing club closer that’s been shown love by the likes of dan shake, lovebirds and laurence guy.

new knekelhuis with sabla, job sifre, maoupa mazzocchetti, patricia kokett

xxx006 is created by the upcoming duo younger than me. with stellar releases on bordello a parigi and tusk wax with diverse music that ranges from disco to new wave to what they call themselves 90s rave euphoria. xxx006 can best be described with one word rave. artwork by raymond teitsma. played by: marvin & guy, job jobse, jennifer cardini, roi perez, discodromo, vladimir ivkovic, franz scala, perel, pional musiq, sean johnston, prins thomas, curses, simple symmetry, jason kendig, severino

with its lush live string and horn section, can’t stop loving you when originally released in 1990 was an immediate favorite in the uk, and represented famed house producer marshall jefferson’s movement toward utilizing live instrumentation in his productions. the track was released right around the time the kiss fm london launched as a legal radio station, and richard was support talent at the radio station launch party in hyde park london that was headlined by fellow chicagoans ten city.
the track also represented one of the last releases on the relaunched sam records imprint, before michael weiss ceased releasing new titles on sam and started nervous records.
krystal klear has shown a unique ability to recognize sonic elements trends from past eras, and re-shape them to work for today’s club crowds. with his two versions, he has done a masterful job remixing this early 90’s dance classic.

das debütalbum des amerikanischen lo-fi/darkwave künstlers john maus aus dem jahr 2006 ist endlich wieder auf lp erhältlich.

reworking a big tune is never a simple task, especially if after 7 years the tune in question is still one of the highlights in shows of one of the worlds most beloved live act performers, kink. that s only half of the story though, as the tune got a lot of love from so many dj s all over the globe. however, for the 17th burek release, we wanted to do something really special and what could be better than giving new life to a piece of music which literally gave life to our label. and we gathered some very interesting people for the job.

hailing from sao paulo, brasil now currently residing in the outskirts of europe, fernando may be better known for his more floor oriented releases as innsyter or seixlack. fans of ppu take note! crazy one. includes download code.

since so many european labels have been reissuing lost and obscure 1980s japanese ambient albums of late, it was probably inevitable that at least one label would put together a compilation paying tribute to the sound. it turns out that jazzy couscous has won the race with kumo no moko, a superb double album that does a terrific job in putting japan s 80s ambient scene in context. as you d expect, the majority of the tracks feature either dreamy electronic sounds or a mixture of acoustic and electronic instrumentation, with nods to jazz coming thick and fast. there are naturally a couple of fairly well-known names on show, but for the most part the compilers have done a terrific job in highlight lesser-known tracks from unsung heroes.

obscure producer from newcastle, the jaffa kid in full emotional dnb-jungle motion. ace! for fans of uk jungle golden years, dj guy, boards of canada etc..

its coming out on best italy, so you know you re in for a rarified treat from the dusty archives of pan european music. on this occasion the unstoppable reissue label has its disco hat on, serving up the raw cosmic funk of oro, recorded in naples and originally released in 1977. back then, this crucial cut was confined to a short 7inch edit, but best have pulled the stops out to track down the master tapes and execute a thorough remastering job on the full-length versions, now pressed to 12inch for your long-playing, disc-spinning pleasure. its a good thing these tracks came back into circulation they capture the best of the late 70s era in a cool, downright funky style that never gets old.

shadows lengthen, the nights heat up, and flexi throws down the new piada vibes. like any italian dish the ingredients are simple and effective (let s say piadina romagnola)!

fleck e.s.c, aka franck collin, brings his unique blend of dancefloor electro to the cpu stable. originally from france and now based in tokyo, collin takes us on a musical journey from akihabara to the steel city via 2097.

time flies, doesn’t it? it sure does when you suddenly wake up to celebrate your 10th vinyl release as a small label, which is the case with us. but as we’re all about quality over quantity, our latest 12” offering comes with a superb collage of fresh music by the one and only radicall. having made his mark as one of the most consistent producers, known for his trademark combination of strong, dynamic drum programming and soft and booming basslines, radicall keeps on delivering top-quality music with each next release. and this 12” single is no exception to the said rule. the playful, happy-go-lucky “touch” is a bit of a nod to the old-school/rave/early jungle/footwork/you-name-it style given its complex drum pattern and an array of acid-style synthetic samples and tinges of vocal here and there, but sticking to modern-day standards nonetheless. the flipside comes with “build me up” remixed by bungle, who surely knows how to make good things just as good as they are, but yet a bit different. and here we have the brazilian powerhouse reshaping radicall’s work to make it a bit lighter and upbeat, but still retaining some elements of rawness mixed perfectly with traces of nostalgia. an excellent job, breathing a new life into the original piece - a darker-shaded straight-to-the-point roller, which you can get as a digital bonus added to the release. so here it is - the tenth vinyl item in our catalogue, featuring names you simply can’t go wrong with. what better way to celebrate the occasion?

after three major releases by tell, nachtbraker and s3a, its time for debuting italian artist verner to close our beloved trophy quartet. this milanese key virtuoso is ready to blow your mind with this eccentric yet humble ep, taking you on an emotional journey. long stretched pads, playful chord progressions, organic percussion all produced with analogue 70s and 80s vintage synthesizers and drum computers in verners studio reminding us a bit of harvey sutherland and nu guineas style. were talking groove, funk, jazz but also house and soundtrack style compositions which together form a very complete record carefully a&rd by nachtbraker. drop the needle on the a side and youll start off with linizio, a majestic piece of synthwork. hurdling through different emotions and vibes, this could easily be the intro of one of your favourite 80s tv series. upset takes you on a happy groovy tour whilst crash of the web era and the motion pictures take us on a trippy and ambient voyage that is hard to wake up from. when flipping the record to the b side, verner is stepping back into the groove and funk with tecladista, arguably the dance floor hit of this debut ep. starting of with again a majestic synth intro area drops into a festive funk and jazz bomb with some intricate synth work treating us with some lovely solos. closing this versatile ep is late night job, a deep, deep tune with a thriving baseline and mesmerizing synths. we suggest to dont sleep on this one and have a listen to this piece of art by the very talented verner.

its been a hot minute since timothy j. fairplay slipped on his junior fairplay guise, but hes done just that for this bleep-tastic new 12inch on (emotional) especial. end of love is unabashed in its embrace of early yorkshire techno tones, making a fine job of resurrecting the bleep spectre and letting it shake up the dance once more. roy of the ravers is a smart choice of remixer, and he brings an off-kilter acid rub to the table in his idiosyncratic, braindance-inflected style. the b-side is equal laden with purposefully dusty dance grooves transplanted from the late 80s / early 90s, with faxes from the future hitting a particularly sharp point in its lazy breakbeat roll and the clanging harmonies of the stabs

“struggle artist” is the new album from justin c. meyers, the minneapolis-based composer, artist, and head of the sympathy ltd. label. meyers is a unique, underappreciated talent in contemporary electronic music. his greatest strengths are twofold: his compositions have a meticulous structural logic, revealing a hermetic and austere formalism, concurrently, his compositions have a deep, introspective narrativity grounded in his lived experience, evoked with a mature clarity. together, they make meyers one of the most interesting electronic musicians working with cutting-edge sonics today, unlocking their latent powers of metaphor and figuration. his previous album, 2016’s “negative space (1981–2014)”, deals with the onset of chronic illness and near-death experience. its careful, anechoic meditations on the failing body are a resounding achievement, and the album remains a high watermark of acousmatic music in the 21st century. “struggle artist” portrays meyers’ expectations and disappointments arising from making art in his free time. created initially during lunch breaks and in hospital waiting rooms, and finished after being laid off from his job, it catalogues the despondency of the precarious life. if “negative space” was about the fallible body, “struggle artist” is its violent collision with late capitalism.

once more envisioned and engineered in his native city of detroit, the record finds mgun in more auspicious and domestic circumstances. now firmly a father and a homeowner, axiom allows gonzales to flex his party muscle, while further pushing the elastic boundaries of his notoriously unpredictable and brilliantly raw production style. across twelve tracks, listeners are offered an unpredictable trip into the restlessly experimental snatches of studio time gonzales was afforded away from his then day job at the legendary people s records store. it s there that gonzales absorbed endless releases and rediscoveries passing through the stock, trading the occasional tip with some of detroit s best known producers.

the chisa years: 1965–1975 (rare and unreleased) is a compilation album by south african jazz trumpeter hugh masekela. the album consists of 14 rare or forgotten tracks recorded by stewart levine and hugh masekela from 1965 to 1975 when they ran their own chisa records label. thom jurek of allmusic wrote “in sum, there isn’t a weak moment on this entire collection. it’s appeal is wide and deep and one can only hope this is the first of many volumes of this material to appear. bbe records has done a stellar job in making this slab available.” dan nishimoto of the prefix magazine stated “the compilation focuses on masekela’s original idea of “african american music.” from the early experiments of the zulus (a group featuring m’bulu) in mixing doo-wop, rhythm & blues and south african gospel and the mbaqanga/”grazing in the grass”-style work of the generically named johannesburg street band to the clearly fela-influenced ojah (masekela’s band in the mid-’70s, consisting of players from ghana and nigeria) and the readyfor-primetime belting of m’bulu, each track reveals a multi-pronged effort to find and challenge the notion(s) of how african and american cultural forms could interact.”

after the first two 12inches from label founder deep88 himself, ascii records turns to a whole host of different characters to remix those tracks with some stunning and varied results. luis cl is up first, taking a decidedly mellow approach to harmony that tips into a heavy lidded early 90s deep house mood perfectly, while rnr take the robert owens-featuring believe in you and make it into a stirring, tense but ultimately emotional acid-laced floor track. rhythm 2 soul do a gentle job on la beija, mhcrew take a larry heard-esque approach on rotation and jimini lets the space in the mix tell its own story.